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For the 20th Annual Invitational Art Exhibit, “Celebration of Hawaiʻi 2025,” at Viewpoints Gallery in Makawao, painter Suzy Papanikolas highlights the life of master carver and Native Hawaiian historian Sam Kaʻai in her artwork. “Kaʻai is someone I greatly admire,” said Papanikolas. “He truly believed navigation was done and could still be done by the stars and that the Hōkūleʻa voyage would serve as a cultural revitalization of Hawaiians and other Polynesians.” 

Born in Hāna and brought up in Kaupō, Kaʻai’s family grew their own food and made many items by hand using traditional Hawaiian techniques and tools. Sam Low, author of Hawaiki Rising: Hōkūleʻa, Nainoa Thompson, and the Hawaiian Renaissance, explains, “Sam’s father and grandfather made canoes. Sam continued in this tradition, although as a carver of fine sculpture. He used adzes, files and drills that came down to him from his ancestors. They were fashioned a century or two ago.” 

As a carver, Kaʻai became involved in the now world-renowned Hōkūleʻa project led by Herb Kāne. “In 1973, Kaʻai went to Maui Community College to listen to Herb’s talk…later, a letter arrived from Herb: ‘If you come from a canoe family, please dream and make your own design for the kiʻi,’” writes Low. “Sam carved two kiʻi — a man and a woman. The female figure would be lashed to the port manu, the male kiʻi to the starboard. When Sam carved the male figure he fashioned his hands reaching up to the heavens in supplication.” 

In the years that followed, Kaʻai grew to be a highly respected Hawaiian artisan, cultural expert, and community leader. He sailed as a crew member aboard the Hōkūleʻa in 1978, 1980, and 1985 and planned the 1991 celebration of unification at Puʻukoholā Heiau, a national historic site on the Big Island. Recognized as a Living Treasure of the Hawaiian People by the Office of Hawaiian Affairs in 2017, Kaʻai continues his work as an historian to preserve rare Hawaiian artifacts. Tragically, many of these priceless cultural treasures and documents were lost when the Nā ‘Aikāne o Maui Cultural Center was destroyed during the 2023 Lahaina wildfire. 

Papanikolas’s painting celebrates Kaʻai’s ongoing legacy, featuring the kiʻi that Kaʻai carved for the Hōkūleʻa over 50 years ago. An online gallery of her work can be found on her website, https://www.papanik.com/. The Viewpoints Gallery’s “Celebration of Hawaiʻi 2025” exhibit in Makawao, featuring over 40 artists, is open until the end of April. 

My painting is a tribute to the ancestors and the revival of a whole culture, of which Kaʻai is a representative.
Suzy Papanikolas, Artist